THE EXQUISITE CORPSE

Who sleeps with an angel
crushes a feather

The lesson of the flower
blindfolds in black soil

This is not white
only silence its memory

A drop of sunlight makes
a halo on the rosary bead

Sea races and dashes
the silent statues of days

In the House of Strangers
the plague of a 1000 doubts

The hands of a clock
sculpt a mirror into stone

An automatic moment propels
itself in the face of time

The wings of the sky cast
bird shadows over a sundial

Lift wand of night to the
dying ochres' instrumental

The menses of the crescent
carve an ivory bas relief

Put on the hat of the moon
Stride away to the stars

The future concludes nothing
True or false

--Dennis Saleh

 

THE SAY

As in, the last-Say.
Or, he'll want to
have some-Say.
Who's to have
the-Say,
or the final-Say.
Say, do you know?
Say-what?
You don't say.
There's hear-Say,
the old what-Say.
You might need
the gain-Say,
or a nay-Sayer.
You might attempt
an as-Say,
venture an es-Say,
conclude a
brief-Say
on somebody's
Say-so.
The Say-it-
isn't-so
cannot be
overlooked,
also never
forgetting
sooth-Sayers,
Cousin here-Sy,
Sister curt-Sy.
Also ages ago
folds and tapestries
of woven-Say,
dressing in Say,
the Say-man
passing with wares
at a Faire.
I dare-Say
there would be
old-Sayings.
I say,
across the tops of
fifteen columns
in the Oxford
English Dictionary
it says
"Say, Say, Say."
Apparently everything
has a-Say.
Even unto
the beginning
was the word
Saith-the-Lord.
And now
I've had
my-Say.

 

--Dennis Saleh